Deutsche Oper Berlin: Rienzi, the last of the tribunes.
Deutsche Oper Berlin, Bismarckstraße 35, 10627 Berlin, Charlottenburg
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Richard Wagner - Great tragic opera in five acts - poetry by Richard Wagner!
With RIENZI, his fourth opera, Wagner had achieved his breakthrough.
Wagner, who found his material in Edward Bulwer-Lytton's novel "Rienzi, or The Last of the Tribunes", with RIENZI is still musically and thematically based on the tradition of the French grand opéra, which he wants to surpass and overcome both in sound and content. The romantic idea of the lonely, superhuman hero who perishes in the misunderstanding of the world is already laid out in RIENZI. It forms the nucleus for the cosmos unfolded by Wagner in his later work, trained on humans and then mythically exaggerated.
get2 - Dates
05. April 2019 - 19:30 h
18. April 2019 - 19:30 h
10. May 2019 - 19:30 h
In German language with German and English surtitles
Duration: 3 hours / One pause
Introduction: 45 minutes before the start of the performance in the rank foyer right
Richard Wagner - Great tragic opera in five acts - poetry by Richard Wagner!
With RIENZI, his fourth opera, Wagner had achieved his breakthrough.
Wagner, who found his material in Edward Bulwer-Lytton's novel "Rienzi, or The Last of the Tribunes", with RIENZI is still musically and thematically based on the tradition of the French grand opéra, which he wants to surpass and overcome both in sound and content. The romantic idea of the lonely, superhuman hero who perishes in the misunderstanding of the world is already laid out in RIENZI. It forms the nucleus for the cosmos unfolded by Wagner in his later work, trained on humans and then mythically exaggerated.
get2 - Dates
05. April 2019 - 19:30 h
18. April 2019 - 19:30 h
10. May 2019 - 19:30 h
In German language with German and English surtitles
Duration: 3 hours / One pause
Introduction: 45 minutes before the start of the performance in the rank foyer right
Info: Deutsche Oper Berlin
On November 7, 1912, the Deutsches Opernhaus was inaugurated with FIDELIO and, in the following decades, served as a stage especially for Puccini's and Wagner's works. The house has remained faithful to the democratic ideal of a citizen opera after its destruction in World War II: Fritz Bornemann's new building, opened in 1961, is intended as a framework for a modern music theatre, which can be experienced from all seats as a total work of art.
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