Deutsche Oper Berlin: Manon Lescaut

Deutsche Oper Berlin, Bismarckstraße 35, 10627 Berlin, Charlottenburg

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Giacomo Puccini - Dramma lirico in four acts - Libretto after Abbé Prévost!

"What do I have to do with heroes and immortal creatures? I don't feel comfortable in such an environment. I am not the musician of great things, I feel the small things, and only they I love to treat. ...I liked Manon so much because she was a girl of heart and not any more." (Giacomo Puccini)

With MANON LESCAUT Giacomo Puccini celebrated his first great success as an opera composer. As with his later world successes, here too a female figure is the focus.

Passionate feeling, strong contrasts, a completely unsentimental view of flesh and blood, of their weaknesses, but also of their suffering from arbitrariness and social oppression - in his opera Puccini succeeds in creating a fascinating spectrum of colours and moods.

get2 - Dates

09 June 2019 - 19:30 hrs
12 June 2019 - 19:30 hrs
15 June 2019 - 19:30 hrs

In Italian language with English and German surtitles

Duration: 2 hours 45 minutes / One break

Introduction: 45 minutes before the start of the performance in the rank foyer right

Giacomo Puccini - Dramma lirico in four acts - Libretto after Abbé Prévost!

"What do I have to do with heroes and immortal creatures? I don't feel comfortable in such an environment. I am not the musician of great things, I feel the small things, and only they I love to treat. ...I liked Manon so much because she was a girl of heart and not any more." (Giacomo Puccini)

With MANON LESCAUT Giacomo Puccini celebrated his first great success as an opera composer. As with his later world successes, here too a female figure is the focus.

Passionate feeling, strong contrasts, a completely unsentimental view of flesh and blood, of their weaknesses, but also of their suffering from arbitrariness and social oppression - in his opera Puccini succeeds in creating a fascinating spectrum of colours and moods.

get2 - Dates

09 June 2019 - 19:30 hrs
12 June 2019 - 19:30 hrs
15 June 2019 - 19:30 hrs

In Italian language with English and German surtitles

Duration: 2 hours 45 minutes / One break

Introduction: 45 minutes before the start of the performance in the rank foyer right

Info: Deutsche Oper Berlin

On November 7, 1912, the Deutsches Opernhaus was inaugurated with FIDELIO and, in the following decades, served as a stage especially for Puccini's and Wagner's works. The house has remained faithful to the democratic ideal of a citizen opera after its destruction in World War II: Fritz Bornemann's new building, opened in 1961, is intended as a framework for a modern music theatre, which can be experienced from all seats as a total work of art.

Ratings

3 Ratings
 Thorsten K. on 03/01/2018

Great every time! Absolutely recommendable! Get2card is recognized without any problems! And with just one card purchase, the card has already paid for itself!!!

translated from german - show original
Jedes Mal wieder toll! Unbedingt zu empfehlen!! Get2card wird problemlos anerkannt! Und bereits mit einem Kartenkauf hat sich die Karte schon amortisiert!!!

 Elsa E. on 01/28/2018

Smooth buying of tickets with friendly staff. Grandiose places and a wonderful bizarre performance (Salome)!
What I didn't know until then: On the day of the performance there must be a valid get2card. Not (only) on the day of purchase.
(I had a sample get2card for 3 months at the first attempt to buy the cards.)

translated from german - show original
Reibungsloses Kaufen der Tickets bei freundlichem Personal. Grandiose Plätze und eine wunderbar bizarre Vorstellung (Salome)!
Was ich bis dahin nicht wusste: Am Tag der Vorstellung muss es eine gültige get2card geben. Nicht (nur) am Tag des Kaufes.
(Ich hatte eine Probe get2card für 3 Monate beim ersten Versuch die Karten zu kaufen.)

 Eleonore F. on 11/25/2016

A successful evening. A very beautiful production with excellent voices.

translated from german - show original
Ein gelungener Abend. Eine sehr schöne Inszenierung mit hervorragenden Stimmen.

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